Littleglobe.org
projects | COMMON GROUND

PROJECTS:
Common Ground Projects

LG CORE ARTIST PROJECTS:
Molly Sturges
Chris Jonas
Valerie Martinez
Jonas-Sturges

ABOUT COMMON GROUND PROJECTS

communitas: when a community experiences a strong feeling of social solidarity and conventional hierarchies are transcended


The Littleglobe Common Ground Projects are large-scale community collaborations that emphasize meaningful dialogue, creative innovation, renewed connection, and social transformation. Typically several months to several years in duration, these projects bring together community participants, affiliate artists, community organizers, and partner organizations to create community specific work that honors both the wisdom of each individual and the specific needs of each community.


SELECT PROJECT TITLE IN DROPBOX & FOLLOW LINK TO PROJECT PAGE:


RURAL NM: CUBA/ OJO ENCINO / TORREON
2007-9 | Rural New Mexico

A two-year project which brings together LG artists, community organizors and participants from a rural New Mexico community to explore issues of significance to community participants. GO TO RURAL NM PROJECT


MEMORYLINES
2007 | Santa Fe, New Mexico
Commissioned by the Santa Fe Opera and the Lensic Performing Arts Center
A new opera - ages 8 to 89 - that brought people together across cultural, economic, geographic and generational boundaries in Santa Fe. GO TO MEMORYLINES


GLASGOW ART IN HOSPITALS COMMISSION
2007-8 | Glasgow, Scotland
An intermedia performance project with elders in nursing homes, youth, Glasgow artists and BBC orchestra players. GO TO ART IN HOSPITALS PROJECT


MOMENT
2005 | Cork, Ireland
Commissioned by the European Union Festival of Culture 2005

An intergenerational performance project based in a sheltered housing project for homeless older adults with youth, community members and Cork-based artists. GO TO MOMENT


CROSSINGS
2001 | New York City
Commissioned by The Creative Center's - Arts for People with Cancer

A five-month performance project with 15 women living with cancer and six professional artists. GO TO CROSSINGS


ONE AND MANY
2002 | New York City
Commissioned by The Creative Center's - Arts for People with Cancer

A video and sound project with women living with cancer. Directed by Molly Sturges and Melissa Dubbin with collaborating musician, Myra Melford. GO TO ONE & MANY


LITTLEGLOBE'S COMMON GROUND PROJECTS
have shown that engaged creative work enables individuals to cultivate shared experience (across racial, economic, generational, cultural and ideological lines) that prevents potential conflict and promotes individual and community empowerment, empathy, social inclusion, and a renewed sense of human dignity. Our experience shows that through an intensive creative arts process, normal limits of thought, self-understanding, and behavior can dissipate allowing new perspectives and actions to emerge.

The first phase of each project begins with a series of conversations between Littleglobe artists and potential project partners and participants. Littleglobe artists spend a great deal of time cultivating relationships and safety for all participants. These acts of deep listening, growing relationships, and witnessing informs the shape of each project.

The second phase includes a series of open workshops with artists in a variety of creative mediums. During this phase community trust and rapport is cultivated. Once an environment of safety, care, and play is developed, we begin to work with issues of significance to the community that arise organically. In general, we believe that the meaning of each project is revealed through this organic process and we try very hard to avoid formulas. The creation of a new creative work of artistic and social import such as a performance, installation or a film is vital to the project and typically a lasting sense of ownership, a strong sense of community, and esteem is experienced by participants. Our projects are born from specific commissions, invitations from communities, and initiatives by Littleglobe artists. We strive to fund all of the community participants with artist honorariums, regardless of experience, and create opportunities for on-going mentoring.

Finally, though we don’t seek specific results, we have seen remarkable reports of changes in participants health including better posture and breathing, relief from dependence on physical aids such as canes, walkers, eye patches and pharmaceuticals and reports of overall experiences of well-being and joy.